My first camera was a 2 1/4 Yashica, but when I got the money to buy my first SLR, it was a Nikon and I've owned Nikons ever since. I do have a Fuji digital that can fit in a pocket, but also have a D40 Nikon and can use all my old lenses with it. Nikons are dependable and solidly built cameras.
ah, don't get me started on the medium format. i love my yashicamat 124g. it's a beautiful thing. if i shot film at all anymore, it would be this.
now you make me want to shoot film.
I used to love my old Canon AE-1. But now, I'm in the market for a Canon T2i, mainly because of its video capabilities and qualified use of Canon lenses.
put a 50mm f 1.8 on a dSLR that shoots video and .... wow.
Thanks for all the insights. I love your work and I'm constantly striving to better mine. :-)
thank you so much!
(you seem to have a fairy beneath your fez.)
Thanks again, Kyle, for sharing the particulars of how awesome you are!
The tips and tricks come in handy. Now, off to find that perfect lens.
Have you been to Tempe Camera? Next time you hit this Arizona desert, maybe take a gander at the best shop this oasis has!
i have not, but i've bought a LOT of stuff from collectablecameras.com in phoenix.
I'm no film fanatic like some of the guys at my art school, but the one thing film is good for is Large Format.. one of my favourite shots ever, I made with 4x5 B&W. In a pinhole camera made out of a plastic lunchbox, a coke can, a scrap of cardboard for a shutter and a lot of electrical tape. Even using a pinhole, I blew that sucker up to A1 and it still looks good; I could probably pull an A0 out of it if I'd had the money for printing... I might have to use a better scan.
Anyway, for everything else I use a plain old Canon 450D, which I believe is called a Canon Rebel in the states. Still using the lens set that came with it; an f4-5.6 55-250, and an 18-55. If I can ever afford to buy more lenses, an 80-200 f2.8 would be the first; that's the sort of photo I do best with a digital.
i'd recommend a 50 1.8 next, they're cheap and useful.
Thank you kind sir for the photo tech. You are so generous.
you're welcome. i'm actually not that generous, i think of this is "ah! i'll never have to answer that one again for two years..."
Thank you for taking the time to write this! I'm a fan of your work and appreciate the insights as someone just getting started in photography.
you're very welcome. i'm always overjoyed to hear that there are fans of my work. photography is a noble outlet. it will serve you well.
2010-08-12 12:25 am (UTC)
Gotta agree with everything here
Except to add that for my day-in-day-out boil-the-pot newspaper work I can't live comfortably without my 24-70/2.8... simply because it's the most FORGETTABLE lens I've ever seen. It's a well-trained British batman... always in arm's reach, always ready for and capable of anything, totally unobtrusive, damn near invisible, and never ever makes a mistake. Makes you wonder how the hell you got along without it, while never ever taking the slightest credit for itself.
Beyond that I think the results you get from the 12-24 Sigma are somewhat better than the results I get from the 12-24 Tokina, which is good enough for newspaper but not a lot more, IME; if I were buying again I'd probably do the Sigma. Don't think it was out when I got my Tokina, though.
Don't have an iphone; if I have money soon I may get the GF1, though. Or the G1 or G2.
(Still like feeding hp5 through the M4P, though. Also fountain pens on paper. I really AM a dinosaur... I spent the evening with an archeopteryx the other day, and it was the most enjoyable evening I've had in months. He was really cool company, especially given he's been dead for 150 million years, give or take a few...)
2010-08-12 02:15 am (UTC)
Re: Gotta agree with everything here
i have a 28-70 2.8 which i use a lot. it's really sharp and i often use it with studio lights. it does a fine job, but as you said, never lets anyone know who did it.
I realize they're focused on their art, they have a great vision, they have the tool they need, and that's it.
I'm not sure about that for everyone - for me, it's that "I have this camera, it's the best one I could afford, and I blew a month's salary on it and can't afford to get more stuff, so I've worked out what the limits on it are and am focussing on what I can do well within those limits, even though one day I'd love to buy MOAR STUFFZ and experiment". (The thing I'm saving up for is a DSLR; I reckon I'll be there in about two years at current income). I have a Fuji Finepix S2000HD, which is about as good as it gets without a several-hundred-dollar price jump.It's pretty good for landscapes
, which are fun, but not so good for action shots; at least, not that I've been able to manage, which is probably as much on me as on the camera. I'd really like a DSLR so that I can use a telephoto lens and take better wildlife shots (I like birds. Birds are nervous and don't like it when I get close.)
I have a feeling that when I have a bit more money, I'll be an equipment hog.
Oh, and in terms of "what worked", I can't recommend anything to the beginning photographer (like me) more than reading the instructions that came with the camera. Amazing how much that helped. :D
My favorite and most sensual camera is without a doubt my Leica M4. For casual use B&W film is very workable, I wouldn't want to deal with a thousand frames a month on film though.
Otherwise, yes, it's all about the lenses. My digital carry-around kit are fast 24mm and 85mm lenses and I could use just those two for quite a long while and be perfectly happy with it.
By the way, how did the behind-the-scenes shots I snapped (from your war paint shooting in Boston right before July 4th) with the GF1 turn out? I don't think I ever saw those!
Edited at 2010-08-12 12:54 am (UTC)
I might be back in boston this weekend for the bike run. i'll give you a shout. i still haven't really looked through anything from last time yet, they're all in focus though, i noticed that. rawk
Didn't your camera get stolen after you had cruelly abandoned it on a train seat, turning a tired cold shoulder to the Hello Kitty sticker pleading at you with her little eyes? I do believe you had spent a weekend photographing rock stars and were a bit brain fogged. ;P
I need a lightweight camera that's forgiving of a slight hand tremor, and the guts to start >trying< to take pictures again.
i had it on the seat next to me and a conductor came past and said, gruffly "NO ITEMS ON SEATS! PUT THAT UNDER THE SEAT IN FRONT OF YOU!"
and that was that.
Thank you for the great post!
Heartily second the recommendation for the Sigma 12-24; it's good value for money compared to the closest Nikkor equivalent, kicks the ass of the Tokina and is generally loads of fun. I like to throw a cheap IR filter on it (oh how I love you, DealExtreme) and head out with a tripod to take gritty, eerie photographs
The other lens that has been my workhorse for the last few years has been a Nikkor 70-300. Obviously, it's good fun for birdwatching and anything requiring a zoom, but given it's quite often the only lens I take with me when hiking, I've learned to love it for taking detail photos as well - I zoom in all the way, then back up as far as I have to so it will focus and get depth of field like this
While it's true that the body is less critical than the lenses, at the moment I've outgrown my beloved old D70 and reached a level of frustration with the light sensor and focus. It was my first DSLR and taught me a lot, but I can't wait for my pro-photographer ex to upgrade his second body and sell me a hand-me-down D300. (Pro tip: marry a photographer to keep your equipment costs down!)
wow, you can get a filter in front of that thing? it must be the size of a pie pan.
lovey photos you have there. your d70 probably has better IR sensitivity than the d300. they've managed to filter almost all of it out anymore. sad, but it makes the pictures sharp.
In my struggles to choose between the currently available micro 4/3 digital cameras, the Girlfriend 1 (your Lumix) and the three Olympus Pen models, I learned an interesting fact.
Apparently the stabilization for the Lumix is built into the lenses, but the stabilization for the Olympus is built into the body. So you can strap on old yard sale and pawn shop lenses to the Oly without sacrificing stabilization. What do you think of that?
For me, the micro 4/3 format is really the only way to go, because of the lighter weight. I just have to pick one.
yup. you can do that. ultimately, i thought the GF1 looked nicer than the olympus and, you know, looks count.
This is marvelous, thank you!
My god the Jared Axelrod and J. R. Blackwel photo in incredible. Stunning. Question - do you think a light exposure meter is necessary? And if so, can you recommend one? Also, what flash do you use? Been saving up and was finally able to pick up the SB900 - do you think that I should stick to the 900 for the other three or it would be ok to drop down to the 600 or 800?
Thanks for your time!
there's an off camera flash in a sixty-three inch photek softlighter II. the light modifier is a lot more important than the light.
since i nearly always use my flashes in manual, i'd recommend you get Vivitar 285's for $85 each. I've never had a flash meter w/ digital and can't really think of a good reason to bother with one. that's what the screen on the back of your camera is for.
the sb900 works amazingly well talking to your camera, so you can use it wonderfully for on camera bouncing & whatnot, but everything else, go cheap and spend the extra $$$ on wireless triggers & softboxes.
Nice post. I'm very much of the opinion that it's the person behind the lens that takes the photo not the camera. It isn't like golf where the more you spend the better your game supposedly gets. A good photographer can take an amazing picture with a $5 disposable.
I still shoot film occasionally and develop it myself. I like its imperfections, something that digital seems to take away for me.
Olympus OM10 (love Zuiko lenses), Mamiya M645j and Nikon D80
My first two cameras were a Nikon F2 and a Leica M3, I worked for two summers in high school to be able to buy them and one lens each. Over the years I have gone through five or six Nikons currently using a D300s. And on the Leica side I still have the M3 and have added an M8.
When I started (70s) it sure seemed to be cheaper to get top line equipment. After all I was able to do it as a 17 year old in school.
As my back has become worse over the years I tend to stick with a one camera/one lens approach to my photography.
When I look at your work it really inspires me to get out and create some pictures/capture the moment.
Thank You for all you do.
I still have my f2 and my m3. i had a pair of F's which i sold and regret, though not too much -- I hope the new people they own are using them to take photos. they're marvelous machines. i realized a long time ago i've never loved a digital camera and probably never will. they're just tools, like hammers. my film cameras ... they were like ... friends ... lovers ... collaborators ... unendited co-conspirators. i felt like they contributed something ephemeral, magic, and real to the final result. an artist rises above the love for a particular brush though, i hope, and gets the job done.
totally agree with you on the lenses. Canon has always given me trouble. I do prefer Nikon; but, my first camera was a good ol' Pentax. Man, i sorta miss that gremlin of a camera...waiting to get a new dSLR is painful, too.
Love your little red riding shot. Brilliant.
Is the No Exit photo suppose to be ala Twin Peaks?
Thank you for posting this! I've just recently got into the hobby, and while I doubt I'll ever be seriously good at it, considering I mostly just photograph dolls... I'm at a point where I want to look into getting more lenses for my Canon Rebel, and this is exactly the sort of thing I needed to read.
I have that 85mm lens and I used it all. the. time. UNTIL I got a 35mm 1.8. It better lends itself to small indoor spaces which I tend to shoot in frequently. I just did a really tough outdoor shoot with the 35, though, and it was nice.
I guess it just felt dumb to buy a 50 when the 85 makes me so happy.
we're going to have a big fountain pen show outing this year. you're invited.
also, the 35, 50 and 85 1.8 are probably redundant. you could probably go 35 1.8 and 100 2.8 macro or 135 2.8 portrait lens.and skip everthing else in the middle
It's like driving to work in a Formula 1 race car for a year and then you lose it and someone gives you a 1984 AMC Gremlin.
LOL...I love that line.
I have a Nikon D90, and I love the resolution and the amazing range it has. Eventually I want to start shooting birds, but there are a couple other things I'll need to get, like a GINORMOUS zoom and another bike...
For the longest time I shot with a Fujifilm P&S (one of those DSLR wannabes). I got some great shots with it (and most of my 12-best are with that camera), but eventually it got to the point where I wanted to do things that it just couldn't handle--extreme close-ups, extreme distance, etc. That, and I think I left it in a taxi last year....
I totally second your comment on the lenses, though I think I'll probably play around with some different ones because I'm less interested in portraits and head shots.
I have exactly the same equipment problem :( I hear a lot of commercial photographers say "I can take an awesome picture with just 1 light" and things like that and they can, but they also admit that in order to realize that equipment doesn't make pictures better, they had to go out and buy a lot of expensive stuff. I wonder if there's a way to learn to work and achieve results I want with what I have without spending $10.000 first.
And as a fan of documentary photography, I would really like to own a Leica, because you can't really hide a 5D Mark II in your bra and approach the subjects on the street unnoticed. But Leica and its lenses are so darn expensive :(
My favorite lens on a Canon DigitalRebel with 1.6 crop was 50mm f/1.8. 50mm seemed to be right in the middle, I could come up closer and do a portrait or take a few steps back and include some environment. I really loved it. If I could pick just one lens I would pick 50mm. But after I unexpectedly got a full-frame Canon 5D Mark II for my birthday, I don't know what to do with 50mm anymore. It is too wide to do any close-ups with it without having it 1 cm away from a person. And it looks like 85mm is something that will give me the same angle of view on a full-frame as 50mm on a camera with 1.6 crop.
Thanks, awesome Post.
Could you do another one about yer Speedlights, studio lights, etc. You know, like: "What lighting equipment do you use?"
I'm really curious about how you made the lighting journey (gear-wise) to create the stuff you do now.
Now: Nikon D80 (love that the lenses from my old Nikon SLRs fit) and sometimes D70 (better color, fewer pixels.) Agree that lenses are the big deal and good glass is worth what it costs. Favorite lenses at the moment: Nikkor 300mm 1:4, bought secondhand (castoff of newspaper switching to Canon), mounted with Tamron 1.4 teleconverter. Great bird lens for amateur use; disadvantage is that you can't get close with it (bird lands five feet away, you're SOL.) For walking around shots, the Tamron 70-300mm macro zoom is my workhorse...can shoot bugs from 18 inches away or a deer bounding down the field or wildflower closeups or distance or...just about anything. Glass isn't as good as Nikkor, but quite good for what I'm doing. (The Nikkor equivalent won't let me get in close to small things and is thus less useful for carrying in the field unless it's an all-photography hike.)
In the old days (film time) I started with a box Brownie and worked up through my mother's old Kodak rangefinder 35mm, then (while in military) got a Nikon SLR. I shot everything: people, buildings, plants, animals, landscapes. With the Nikon, mostly color slides, including playing with the false-color-infrared film (autumn leaves that way are lime-green, lemon-yellow, turquoise: only healthy green leaves are red.) Now, nearly all my photography now is documenting wildlife and plants and management activities on 80 acres. (http://www.80acresonline.org
) Mostly it's when I'm out doing work on the land, so I don't have the time to do more than get catch shots. See it, shoot it, walk on because there's a fence to fix, a wildlife guzzler to check on, census count to take, etc. The camera always goes with me, but often with only the zoom lens because I'm also carrying tools and stuff. Even so...lots and lots and lots of gigabytes of stored images, some at the 80 acres site, earlier ones on my main site, some on my LiveJournal scrapbook, and many more on the computer itself. I miss some of what the film (on film no longer made--the really fine-grained stuff) will do at 35mm...but I love so many things about digital that I can't make myself go back, even for one roll.
Thanks for a great post. (And that should've come first!)
most excellent post (from fellow Nikon user)!
and I think my next camera purchase will be one of those micro four thirds to carry around with me when the big whoppin' D700 is too big to haul everywhere but the little point & shoot doesn't cut it... Have been looking into it so thanks for the plug from a satisfied user!