| Marie Antoinette |
[Mar. 5th, 2018|06:42 am]
kyle cassidy
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| [ | mood |
| |  accomplished | ] |
| [ | music |
| | Spectral Sessions: Don't You Forget About Me | ] |
Did some photos for Marie Antoinette at Curio Theatre which plays until May 10, 2018. I've done a lot of theater photos over the years. It's always a joy working with actors, as opposed to CEO's or whoever else you're photographing who are always looking at their watches and grumbling. Actors are used to taking direction, and they know you're all working on the same thing. The tough thing is never the actors, it's always getting the time that you need set aside by the theater. For some reason a lot of theaters seem to take publicity photos as a necessary annoyance. So if you come in saying "I'd like four hours" you'll usually get shot down. So, being prepared and being mobile become really important. Have a shot list, try and make one that's easy to break down and move because you might not get all the actors in the order you'd expected. So while you're waiting for one, be prepared to do photos of others. Index cards with your shot lists help. Put what actors you'll need for each shot and in what costumes, fold the card in half when you've completed it.
Move fast.
Be decisive.
Be nice.
Be effusive with your praise.
Don't be afraid to let actors act, it's their job.
Make them look good.
Setup and takedown fast.
Don't skimp on people -- treat every actor like they're going to be world famous in 3 years, because some of them will be.
The King and Queen of France. You may clickenzee to embiggen.
You've probably seen this before. It's based on a photo by Regine Mahaux from Getty Images. It seemed the obvious thing to do going in to a play about Louis XVI and Marie Antoinette. And from that initial place it seemed logical to follow that path for the rest of the photos, but I only had access to the stage for a brief period of time because it needed to be set for the play, so I'd already set up a studio elsewhere in the theater. This photo, once the actors were ready, only took about 2 minutes. We went over posing, Brian nailed the smile and we were off to the studio so the stage manager could get to work. Doors in 60 minutes.
Here's the kit I used. You may clickenzee to embiggen.
I used a Leica m240 and brought three lenses, a 28, 35, and a 50. I ended up only using the 35 and the 50. I wasn't sure how wide the set was going to be. The 28 vignettes around the edges more than the 35, so I was happy to be able to use the 35 on the first shot. I used the 50 and the 35 for everything else.
Whole cast vertical. You may clickenzee to embiggen.
You may clickenzee to embiggen.
You may clickenzee to embiggen.
I've found it's always good to mix horizontals and verticals, because no matter what they tell you, some magazine is going to have a formatting request you didn't think you'd want.
You may clickenzee to embiggen.
You may clickenzee to embiggen.
You may clickenzee to embiggen.
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